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............ Stones of AXO… Glyphs & Lithography-Glyphs
… There is no Model for that which Search only it forever Considering… Paul Eluard
“… Glyfaxo… The Site which Glyph ............................................................))).(((

“The Confidences which murmur Silence…”
“… which murmurs…”
“… in Silence…”
“… Confidences…”
“… of Glyphs of AXO…”
“The Silence which murmurs the Confidences… Stones of AXO”

The Confidences which Murmur Silence





“Nature and Matter”
“there Natural and Matter”
“Nature and there Matter”
“There Natural and There Matter”


Nature-matter and Glyptique Creation


The Lithography-Glyphs:=Grec Lithography:Stone
gluphê/gluptos:engraving; sculpture;chiselling.



Elements of Material Reality;(concretes tangible and we are made) seem to be created since the origin of the Universe.

“Nothing is lost; nothing is created - Lavoisier”.



The innovation thus comes from a new arrange
(of these elements); different and Single each time
(undo structure and reorganization).

Our terrestrial reality (that which surrounds us) is thus the same.
Most of this solid matter was made up in the past; at one time oú the Human Being did not exist.
(the earth's crust;L be rocks; mountains…).

The process is always active (Eruption;Amalgam…).
When a Stone-Glyph (small piece of rock-Glyph resulting from mountain (Glyph itself)) is broken; the crack lets appear of Glyphs “spontaneous” Anthropomorphic; Anamorphoses and Fractals; who “are worked thereafter” in time; by the Elements and the Risks of the general movement; and present increasingly clear Images; for then erodebeing eroded (in direction of the sphere) until the disappearance of these detailed Images; letting appear the structure of origin and its Images =
Constitutional Glyph.
Any even spherical form is only one stage; wear continuing with the appearance of new structural Images; conditioned by the form of origin and the chances of erosion; until the total unpack structure
(on our scale)
AND change of Fractale measurement, (micrometric) with; always;
Glyphs-Images.

(Dust you is; dust you will become again).

This being a Universal Process (applicable also to the Alive one; of course).



) (Glyphs Mountains: At all times men have summers attracted by the spectacle of the Mountains; who bring a certain serenity to them.

Some choose carefully the site of their contemplation (house; camping; point-of-sight; excursion…) perhaps they know why
(?)

Certain Mounts and large Rocks are “famous”; to represent subjects or silhouettes; recognized; since a point-of-sight; by the majority of the people;(Some of these Point-of-sights are officialized by tourism).

The Mountains (large or small) are of Glyphs Anamorphoses (Fractals also) which present Precise “Images”; definitely Anthropomorphic taking into consideration which can decipher them since the “point-of-sight” adapted.
They have a characteristic; who is to have also a point-of-sight; of in-high
(of a Bird?)(not always with the vertical); and are integrated in a series of
Géo-Glyphs-Fractals (with; each time; different Images) until Fractal " Ground " with; always; a point-of-sight outside; Anamorphosis.

-- Recognition of the Images being depending on the Three (+1) parameters = Prone Observant Lighting (+Etat of Spirit) (this one being subjective.)

Some of these Mountains (and not always highest); were regarded as Magiques; Crowned; Residence of the Gods and the Spirits (and; some; are still nowadays) and are also “Parents” of a multitude of Glyphs-Fractals - (who fill the “holes” and go from the Mountain to the Sea with the Rivers) (there is often an ambiguity “masculine-female”)

The Places of the point-of-sight are also Privilégiés places (and Secrecies?).



) (Glyph-Natures: Vegetable Nature shows the same characteristics; on a faster rate/rhythm (than one could also qualify Fractal-cycle = applicable to any temporal event of the Universe).
With; always; the Glyph-Images Anamorphoses Fractals and Anthropomorphiques.
Trees; shrubs grass plants flowers etc… like their components: sheets petals trunks etc… present Glyphs-Images =
1 global vision
2-constitutive



) (Glyphs Animal: Carapaces(armour); shells; seashells; feathers and other extensions of the reign of alive also present of Glyphs; anamorphoses and
fractals with expression Anthropomorphic.



) (Glyphs Subliminal: A Landscape; fact of plains; hills; mountains; large rocks and other incidents of ground; the whole covered (+ou-) with vegetations various and changeables; (itself is a Panorama-Glyph-Fractal made up of Glyphs multiples) and which with the characteristic to be Evolutif (by the seasons) and Subliminal (i.e.; to impregnate Unconscious that which contemplates it sufficiently a long time (since good the fixed point-of-sight)).



) (Glyphs Elements: Three of the four Elements (Water;fire;air
(+la Ground) express Glyphs according to a fast cycle difficult to perceive for the naked eye (except for certain clouds, e.g.
or the hypnotic contemplation of the wood fire.)



Glyphs Universal:

The whole Universe seems to be Gigantic Glyph Fractal Anthropomorphique
(and Anamorphosis? …)


(to be followed)

Another glance on the Nature of the World and one of its Mysteries.

Torch = a Bird of Fire posed at the end of the Branch.

Art of Nature to the Art of the Human Being
Natural Art with Art Human being.

The Field/Song of Glyphs the Evening in Edge of Wood.
Of Glyphs in Grafittis…. timeless Memory…

Between Sky and Sea; Vine and Ground;
the Stones have their Silences To say

(Lithography with half-words).



Question: Cosmic tapestry:
In which Gigantic and Evolutionary Fresco are we the Small Tiny Point of Luminous CoLorS ??
Between Art and Chance.

The Human Being is; at the school of the Spirit in Nature; what a Child is with his Mother: in Training.

Fractal of the Labyrinths; Progressive polymorphism;
Multidirectional Fractal; Pyramidal image.

Noticed Glyph;Collected;Copied;Imitated;Inspired;Forgotten;Found…
… The Book of the Things.

The Present solidifies the Future and transforms it into Past.

The 5em Force: Re-creation; regeneration Continual

constitutive Art


.?.

…??…

.???.

Any Resemblance
with Existing People or Things or Having existed
can be only one sheer coincidence
chance…

… (???)…

mail… Stones of AXO ©… 2004
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